The Neighbourhood’s ‘(((((ultraSOUND)))))’ is a fun return to Tumblr-era indie rock
Released on Friday, the album brings back the moody, romantic and toned-down vibes of the 2010s alternative scene.
The Clarice hosts UMD Wind and Symphony Orchestras for joint concert
Through four acts, both orchestras told tales through unique conduction and instrumentalists.
Florence + The Machine’s ‘Everybody Scream’ is a bewitching view into personal trauma
Lead singer Florence Welch’s vocals are the star of the show, displaying her wide range and unique sound over billowing instrumentals.
Nep plays it too safe on ‘Noelle’
The Florida-based singer-songwriter’s debut album offers a vulnerable glimpse into her personal life.
The Last Dinner Party’s ‘From the Pyre’ is cathartic, but puzzling
The British indie rock band released their second album on Friday and met their quota, but did not excel.
Get over your ex-friend with these 4 songs
Whether you're sulking in your sorrow or on the way to healing, these songs will comfort you in all your feelings.
Lorde stuns with powerful visuals, energy at the ‘Ultrasound’ tour
Lorde's Sunday performance at the The Anthem in Washington, D.C., exceeded expectations, displaying a passion and authenticity that was unmistakably hers.
Taylor Swift enters her flop era on ‘Life of a Showgirl’
"Tired-ass showgirl" Taylor Swift released her twelfth studio album Friday, a juxtaposition of image expectation and personal desire.
Zara Larsson is fun, but dated on ‘Midnight Sun’
The Swedish singer songwriter released her fourth album Friday, but in the heightened need to trap summer in a bottle, it might lose the capacity to be timeless.
Lola Young chooses style over substance on ‘I’m Only F**king Myself’
Young’s third studio album, her chance to expand beyond her hit “Messy,” fails to cement her as a merited artist.